And the winner is...!
Congratulations Ukraine, and commiserations to Russia.
What a result! For music, I mean; the result was in no way political at all, was it? After all, Eurovision is politically neutral - it’s in the rules and everyfink. Europe
was simply sending the message that it was more in the mood for a powerfully
emotional vocal performance about war, than a pop ditty and some CGI wall
dancing.
Big Five and Host
Italy
My 11 month old son regularly
sports a dungaree, and I’ve always been struck by how it’s a look with a time
limit - few grown adults can get away with pinafore trousers. Not that that daunted Miss Italy, proudly
rocking some glittery dungas at the mic, as she sang earnestly at the camera. Sadly, however, no amount of sequinned floral appliqué
is going to sufficiently pimp a pair of brown dungarees, especially not at Eurovision, when you've got capes and leotards to contend with. Inexplicably, the rest of the staging was
made up of bargain bin plastic flowers - perhaps they were Versace overalls,
which restricted the budget somewhat?
How’d it do: An
appropriate 16th, although it did (incomprehensibly) get the douze from
two whole juries.
Sweden
“Proper music”, although
that’s a term which irritates me enormously - as if big synths sounds, overblown
electronic beats, seventeen key changes, a wailing diva and some background
panpipes can’t constitute proper music. Anyway, Sweden’s Eurovij selection quality control continues to work, with this
rather sweet low-key offering from a delightful-seeming 17 year old, which
sounded like it could actually be in the charts. Not that I’m au fait with the charts
these days, so maybe it’s safer to say it sounds like the kind of thing I might
overhear in Dorothy Perkins whilst browsing ankle boots and which I would assume
is probably something that could be in the charts maybe.
How’d it do: 5th
place, three jury douzes. Classic Swedish respectability.
Germany
Lady Gaga and Gwen Stefani
have a lot to answer for; turns out there’s a bit more to it than googling “Harajuku
Girls on pinterest” and stapling the contents of Oxfam’s donated toys bin to your
head and shoulders – certainly if Germany’s offering is anything to go by. It might have made a vague sort of sense if
the song had been a teeny-bopping, cray-cray, all-out cartoon pop number, but it was a
deathly snoozefest. Though I concede it
was better than sending a homophobic neo-Nazi.
How’d it do: it tanked,
obvz. 26th place. AKA last.
France
Solid and acceptable
standard pop fare from a handsome man in a suit that was about half a size too
small.
How’d it do: A
remarkably acceptable 6th place - indeed, a brilliant showing given France’s
recent track record.
Spain
Senorita Cheryl Tweedy
Cole Fernandez-Versininini [insert current surname here] in a sequinned vest
dress giving it some joyful club anthem welly. She also did the funny foot dance we saw from
Malta a few years back (you’ll remember it clearly, of course), which did seem an odd choice for a big busting dance
choon, but it somehow worked... What with Bulgaria’s ‘man repellent’ squatting
moves and this, I’m starting to think I’ve lost touch with current disco etiquette. Perhaps it’s something to do with being a
mother in my late thirties and calling it a ‘disco’.
How’d it do: 22nd,
but the gays in the hall seemed to love it, so it can live on 4EVA at the wonder that is the Euro Club.
UK
We’ve had worse, far
far worse. Far far far far worse. They seemed like very sweet boys and could sing in tune well enough. But... pffffffff. That’s all I have to say
about that one really.
How’d it do: the juries quite liked it. Europe did not. *sigh*
Halftime Show
And this is why Swedish Eurovision rocks - even though it went on
a bit, the Swedes know how to fill the allocated time for corrupt
horsetrading televoting with proper entertainment (by and large, Linda Woodruff wasn't great and little says 'uncool' like a mini Segway, Mans). But the mere act of bagging Justin Timberlake was a
coup; he could have stood on stage for ten seconds shouting “Good evening
Europe” before throwing out a pelvic thrust and leaving, and it would still have
made all the Eurovision entries look a little amateur (‘a little’... ahem...). Though he was a bit sweaty for my liking, and
I preferred Bulgaria, if I’m honest.
(Also, Americans, just like it's not GlastonBERRY, it's not EurOHvision. Please learn this before the inevitable swarm of US pop acts come along to entertain us, having just clocked there's an audience of 200 million up for grabs...)
As for the Swedish pop
retrospective... I mean COME ON, what a
track record! Choon after choon, hit after hit, moment of genius after moment
of genius. Neneh Cherry and Robyn are still regulars on my playlist, but
I can’t believe I’ve neglected Ace of Base and Roxette for so long. I might even give that “You touch my tralala”
song a relisten.
But the real TRIUMPH that was Love Love Peace Peace – where Eurovision ate itelf in a big meta self-pisstake. It was masterful. Go watch it again - treat yo'self.
(New) Voting
Hastag dramaticreveal! And it was a dramztastic Ukraine v Russia showdown in the end, even with Ukraine's colossal lead (once poor Oz had been steadily edged out). It was just a little disappointing not to see the nakedly biased neighbourly voting
in action - yes, I’m looking at you the Greek and Norwegian juries (well done
Azerbaijan and Belarus for your unending Soviet loyalty). As for the UK jury, what the fuck were they
on? 12 points for Georgia? GEORGIA!?!? I know it’s a British tradition to drink solidly throughout
Eurovision, but even so.
Though for me the best bit was circus ringleader and highest climber Poland – quite rightly deemed more or less the worst entry by the juries,
then ROCKETING up to eighth (eighth!) thanks to the phone power of Poles and/or people with
no musical taste whatsoever.
Legacy of Stockholm 2016
Oz can stay, and Bulgaria, Armenia, Austria and Latvia have also made my Spotify Eurovision playlist (mind you, Waterline's still on there, so it's not the highest of accolades). The EBU should institute a rule whereby Petra should be required to take on hosting duties every three years, regardless of host nation.
Legacy of Stockholm 2016
Oz can stay, and Bulgaria, Armenia, Austria and Latvia have also made my Spotify Eurovision playlist (mind you, Waterline's still on there, so it's not the highest of accolades). The EBU should institute a rule whereby Petra should be required to take on hosting duties every three years, regardless of host nation.
Kiev 2017
Oh Man(s), it’s always over so fast. Well done the Swedes, we
all hope it comes back to you soon. If
you want an interesting insight into how Ukraine are likely to get 'organised', listen to
this brilliant radio doc. Remember though, that Ukraine do have
an excellent record for musical Eurovij excellence though (from the
insane via the whip-crackingly good to this year’s epic), so hopes are high. Good night Europe!